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For "Give It Away", along with the rest of the album, Rubin sought to achieve a sense of atmosphere that was similar to 60s records that were made without commercialism or viability in mind and to downplay on "big" sounds: "What you hear is what you get—there's not a lot of trickery.A lot of people want the biggest sound, with walls of guitar and huge drums.Hagen was several years Kiedis' senior and became a role-model during his drug addiction to heroin: "she realized how young and inexperienced I was then, so she was always passing on gems to me, not in a preachy way, just by seizing on opportunities." Upon expressing this, Hagen immediately told him to keep it.Her reasoning behind this selflessness was due to an attempt to constantly make her life more enjoyable, and explained to Kiedis that "if you have a closet full of clothes and you try to keep them all, your life will get very small.Producer Rick Rubin had a considerable influence on the sound of Blood Sugar Sex Magik by removing much of the reverb and guitar layering that epitomized the band's previous album Mother's Milk.This caused the record to contain simpler and dryer guitar and bass chords that were not filtered through guitar effects—those that did, however, were made with vintage electronics from the 1960s and 70s.

Producer Rick Rubin disavowed walls of sound and layering for simpler, more concise guitar and bass progressions.But if you have a full closet and someone sees something they like, if you give it to them, the world is a better place." The act was something that affected Kiedis significantly because he had never before experienced such an enlightening ideology on life.Growing up in Los Angeles, he had always thought differently from Hagen.John's philosophy was that he would only play a solo twice.He'd play it once, and if he didn't like it or we didn't like it, he'd play it again—completely different.